One media pool
Bins, metadata, smart bins and clip markers live in the project, so the edit, the grade and the mix all reference the same media.
Edit - Colour - Fusion - Fairlight - Deliver
DaVinci Resolve, finished in your browser
Open the studio and everything is already there: a multi track timeline, node based colour grading, Fusion visual effects, a Fairlight audio page and delivery presets, reading the same media pool with no install and no render farm.
- No install, runs in Chrome or Edge
- Media pool stays in sync across machines
- Cancel anytime
Timeline viewer, 3840x2160
V2
Titles
V1
A001_C012A002_C003drone_pass_04interview_A
A1
DialogueDialogue
A2
ScoreRoom tone
8KTimeline resolution
32-bitFloat colour pipeline
1,000+Fusion tools
Up to 5Delivery presets per render
One project, every page
The studio, page by page
Media, Cut, Edit, Colour, Fusion, Fairlight and Deliver all read the same project. Switch pages without exporting, relinking or handing off to another application.
Timeline viewer, 3840x2160
V2
Titles
V1
A001_C012A002_C003drone_pass_04interview_A
A1
DialogueDialogue
A2
ScoreRoom tone
Proxy workflows
Generate proxies on ingest, edit with them anywhere, then relink to the original camera files before delivery.
Multicam and sync
Sync angles by timecode or waveform and switch them live on the timeline without leaving the viewer.
Node based finishing
Colour, Fusion and audio all use node or console based graphs, so looks and effects stay editable for the whole project.
Effects and titles
Transitions, filters, motion titles and lower thirds ship with the studio and can be dropped straight into the timeline.
Delivery presets
YouTube, Vimeo, broadcast, ProRes, H.264 and audio only presets render to the formats each destination expects.
Cut and Edit pages
A timeline built for long days
Ingest a card, drop clips on the timeline and keep moving. Source tape, ripple overwrite, clip speed ramps, multicam sync and proxy modes are one keyboard shortcut away, and every edit stays non destructive.
- Fast Cut page for assembly, full Edit page for trimming and audio sweetening
- Multicam sync by timecode, waveform or markers with angle switching in the timeline
- Proxy and optimised media modes so 8K footage plays smoothly in the viewer
- Source tape, sync bins and smart bins keep large shoots organised
Colour page
Grade with nodes, not guesswork
A serial node tree per clip, colour wheels for shadows, midtones and highlights, curves, the colour warper and scopes on every display. Grade to Rec.709 or HDR, then copy the look across a whole sequence in one pass.
- Node based grading with keys, windows, trackers and Open FX
- 32-bit float processing so highlight and shadow detail survives every node
- Primaries, log and HDR wheels with waveform, parade and vectorscope scopes
- Stills gallery for shot matching and one click grade propagation
Fusion page
Compositing and cleanup in the same project
Build node graphs for keys, paint, tracking, particles and 3D titles, then send them straight back to the timeline. Planar tracking and the magic mask keep roto work on schedule.
- Node graph compositing with 2D, 3D, particle and text tools
- Planar tracker, magic mask and depth map for fast roto and relight
- Templates for titles, lower thirds, transitions and screen replacements
- Every node graph is saved with the clip in the same project file
Fairlight page
Audio finished at 32-bit float
Mix dialogue, music and effects on a real console: faders, EQ, dynamics, gating, reverb and loudness metering, with ADR and subtitle tools in the same pass.
- Sub mixes, VCA groups and automation lanes for large sessions
- AEQ, dynamics, gating and loudness compliance metering built in
- Voice isolation and dialogue leveler for problem location tracks
- Subtitles and ADR tools that export with the delivery
Workflow
From card to master without leaving the browser
Ingest, edit, finish and deliver in one session. Nothing is rendered twice because the grade, the effects and the mix stay attached to the timeline.
Ingest
Drag camera media, audio and graphics into the media pool. The studio reads metadata, builds proxies and lays out bins while you keep working.
Edit
Assemble on the Cut page, refine on the Edit page. Sync multicam angles, add speed changes, titles and transitions with the keyboard.
Finish
Grade in nodes on the Colour page, composite and clean up in Fusion, then mix, level and sweeten dialogue in Fairlight.
Deliver
Pick a delivery preset, render to the studio, and send the master or an HDR version straight to the destination that needs it.
Delivery presets that match the destination
Pick the master once and render the versions each platform expects: web, broadcast, HDR and audio only stems, all queued from the same timeline.
- YouTube 2160pH.265 - 60 fps - 80 Mbps
- Broadcast ProRes 422 HQRec.709 - 10-bit
- HDR10 masterPQ - 1000 nits
- Audio only stemWAV 48k - 24-bit
Use cases
One studio, many rooms
Documentary, channel work, agency finishing, broadcast highlights, music and classrooms all use the same timeline and the same pages.
Film and documentary
Editors and colouristsCut long form in the browser, grade to Rec.709 or HDR, and hand over a project that still opens in the desktop studio.
Creators and channels
YouTube and socialTurn a shoot into a publish ready master with titles, the magic mask, loudness compliance and a delivery preset per platform.
Agencies and studios
Post productionKeep one media pool per project, share sequences with the team and keep client review and versioning in the same workspace.
Broadcast and sports
Live and highlightsMulticam sync, fast turnaround trimming and strict loudness tools for daily highlights and news packages.
Music and performance
Audio first editsCut to the waveform, then finish at 32-bit float with sub mixes, automation and stem delivery.
Education and training
ClassroomsStudents open the studio on any laptop with no licence server, learn the real node and timeline workflow, and export their work.
Compare
Browser studio or desktop only pipeline
Everything below runs in the browser on a Google account. A desktop class pipeline needs the installs, the proxies and the hand offs in the right column.
| Capability | DaVinci Resolve online | Desktop only pipeline |
|---|---|---|
| Install | Nothing to install | GPU drivers and studio build |
| Project and media | Media pool in the browser | Local media, manual relinking |
| Colour | Node based grading with scopes | Same, only on that machine |
| Audio | 32-bit float Fairlight page | Separate session and export |
| Collaboration | Shared sequences and versions | Sneakernet or studio server |
| Delivery | Presets rendered on the studio | Manual render queue |
| Access | Any laptop, Google sign in | One licensed workstation |
Pricing
Plans that scale with your timeline
Every plan opens the same studio. Upgrade when you need 8K timelines, Fusion and Fairlight finishing, more render credits or team seats.
Starter
$9/ month
For short projects and first passes in the browser studio.
- 300 studio credits, refreshed monthly
- 1080p and 4K timelines
- Cut, Edit and Colour pages
- Delivery presets for YouTube and H.264
- Email support
Pro
$29/ month
For working editors and colourists who finish every week.
- 1,500 studio credits, refreshed monthly
- 8K timelines with 32-bit float colour
- Fusion compositing and magic mask
- Fairlight audio finishing and loudness metering
- Proxy workflows and HDR delivery presets
- Priority rendering queue
Studio
$99/ month
For teams shipping episodic, broadcast and client work.
- 5,000 studio credits, refreshed monthly
- Shared media pools and project versions
- Team seats with review and approval
- Stem, broadcast and HDR master delivery
- Long form render priority
- Dedicated support channel
Yearly billing is charged once for the full year. Every plan renews automatically and can be cancelled from your billing settings.
We assemble in the browser and grade on the same node tree the desktop studio expects. Nothing has to be re-imported at the end.
The Cut page plus a delivery preset per platform is the fastest path from card to publish we have had in a small team.
Fairlight in the same project means loudness compliance stopped being a separate export and a separate invoice.
Help
Frequently asked questions
Install requirements, project portability, credits, delivery formats and billing.
Do I need to install anything?
No. The studio runs in Chrome, Edge and other Chromium browsers. Sign in with Google and the media pool, timeline and pages open in the browser.
Can I move a project to the desktop studio?
Projects use the same timeline, node and media pool structure, so a sequence and its grade can be carried into the desktop studio for finishing without rebuilding the edit.
How do credits work?
Each plan includes a monthly credit allowance used for rendering, proxy generation and heavy effects work. Credits refresh at the start of every billing period and unused credits do not roll over.
Which formats can I deliver?
H.264 and H.265 for web, ProRes for hand off, broadcast and HDR masters, plus audio only stems at 48 kHz 24-bit.
What happens if I cancel?
Cancel from billing settings at any time. The plan stays active until the end of the paid period and your project data remains available to export.
Is this the official Blackmagic Design product?
No. This is an independent third party browser studio that follows the DaVinci Resolve editing, colour, Fusion and Fairlight workflow. It is not affiliated with or endorsed by Blackmagic Design.
Ready when you are
What are you cutting today?
Sign in with Google, the media pool opens and the Cut page is already waiting for your first clip.
- No install, no licence server
- Google sign in, projects in the cloud
- Cancel anytime